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Showing posts with label News/Commentary. Show all posts
Showing posts with label News/Commentary. Show all posts

Sunday, March 28, 2021

Mario Maurer’s Camp Sends Legal Warning to Management Agency of Kakai Bautista

Image courtesy of Instagram: ilovekaye

Since the time Kakai Bautista and Thai Actor Mario Maurer met around 2012, the singer-actress would reminisce on the time they spent in her interviews and posts. After all, Maurer was a famous hot Thai actor, whose female fans were either envious of Bautista or admired her determination.

Time passed and Bautista remained consistent about the happiness she and Maurer had. Other sites even speculated that she and the actor had a romantic relationship. However, Bautista’s reminiscing of her moments with Maurer is no longer a matter the actor’s camp finds tolerable.

Early this week, Fashion PULIS obtained a copy of the demand letter, dated March 22, coming from the lawyer of Kwaonhar Nine Co., Ltd., the agency of Maurer, addressed to Artist Gallery Management, the agency of Bautista. The letter warned Bautista from attaching herself to Maurer, as said instances have no prior consent nor knowledge of the actor.

In the demand letter, Bautista was first warned to ‘cease, desist and refrain’ from using the name of the actor directly or indirectly. Second, a three-day deadline was set for Bautista to confirm with the said condition.

If Bautista fails, Kwaonhar will pursue legal actions against Bautista and her management agency as a move ‘to protect the rights of Mario Maurer to the broadest extent’.

As of writing, Bautista and her management agency have yet to issue an official statement.

Monday, June 3, 2013

Sarah Geronimo and John Lloyd Cruz's It Takes a Man and a Woman' is Highest- Grossing Filipino Film

Image courtesy of www.en.wikipedia.org

The movie - It Takes a Man And a Woman – has officially dislodged Sisterakas as the highest grossing Filipino film, as it has now conquered the top spot in the all-time list released by independent box-office tracker Box Office Mojo.

It Takes A Man and A Woman -  a romantic comedy movie which stars box-office royalties Sarah Geronimo and John Lloyd Cruz has surprisingly climbed the top spot with a record-breaking P401 Million in gross receipts.

Sarah and John Lloyd thanked their fans and the moviegoers for the overflowing support. 

The movie is graded ‘A’ by the Cinema Evaluation Board (CEB), and raked in P32.6 million when it opened on March 30. There was no stopping from there when the “Laida and Miggy” tandem earned P100 million on the fourth day and eventually hitting the P200 million mark in only eight days. The unbelievable but undeniable success of the movie earned P300 million in just two weeks in cinemas nationwide.

It Takes A Man And A Woman – is the third and final series that broke the records of the first two installments of the most successful Filipino romantic-comedy movie series. The first Laida-Miggy film  A Very Special Love  grossed P179.3 million in 2008 and its sequel  You Changed My Life  scored P225.2 million in 2009.

Just what made the Laida Magtalas and Miggy Montenegro played by Sarah and John Lloyd tick with the public?

Real chemistry -  both say that they can already feel each other’s onscreen emotions. 

Theirs is in the same vein as Vilma Santos and Christopher de Leon during their time. Vilma and Christopher had starred in 22 movies in a span of 28 years. They first appeared together in Celso Ad Castillo’s Tag-araw sa Tag-ulan in 1976 and their last film was Mano Po 111: My Love in 2004. Most of these movies made money and were critically-acclaimed -  earning numerous awards and distinction in many award-giving bodies.
Although the Sarah and John Lloyd series may not be as deep in content - its concept has a target market that reacted and trooped to the cinemas overwhelmingly.

Their tandem is magical. Their ability to transcend sparks and butterflies to the big screen is the one factor that nailed the movie’s success.

Theirs is a love team that has credibility - fans know that they are not being fooled and shortchanged into believing that something more than cinematic exists between the two lead stars. Certainly, both Sarah and John Lloyd have deep regard for each for each other and respect each other's space. 

Further – it is a working tandem that is so light and very professional. Inspite of Sarah's limitations, the public is accepting.

In the absence of real-life relationships going on in each’s  Sarah-John Lloyd and Vilma-Christopher tandems – such loyalty and support from the fans and the public can not be over-emphasized. In any language, it's growth and maturity.

Sarah's wholesome image and her "failed" relationships added to her mystery even more. Inspite of being sheltered and thought of as someone not knowing "pain", she is able to come across as a credible actor. 

Sarah has “grown” after their first two movies. On their first two movies together - A Very Special Love and You Changed My Life - there were scenes where it felt like the two will actually kiss yet it never happened.

John Lloyd is officially her first onscreen kiss - a real kiss - Sarah herself confirmed.

We wish to congratulate Sarah Geronimo and John Lloyd Cruz for the well-deserved feat!

Friday, February 15, 2013

Collector Pays P1.3 M for Fake High-end Bags


MANILA, Philippines - A 21-year-old businesswoman, who collects designer bags, has filed charges against an online reseller who sold her two fake Hermes Birkin bags, for which she paid more than P1.3 million.

“It was only when I decided to re-sell them that I found out they were fake,” she told The STAR in an interview yesterday.

The woman agreed to talk on condition of anonymity. She also asked that the online reseller, whom she charged with estafa before the National Bureau of Investigation, not be named. The two parties are set to meet tomorrow at the NBI headquarters.

The complainant said she only wants her money back.

“Everyone we consulted, even the Hermes store here, told us the bags were fake,” the woman said.
She said she found the reseller through Instagram in November 2012 and bought a bubblegum pink Birkin (a rare color, according to her) for P660,000 and an orange Birkin for P690,000.

The two bags were delivered to her in January but she had kept them in their boxes and never checked them until she decided to sell the bags after she gave birth later that month.

When her elder sister took the bags to a prospective buyer, she was told they were fake.

Collectors
The two sisters had been collecting bags over the past five years and have about 100 pieces, most of them by well-known designers.

The elder sister said the deal made by the complainant, which she did not know about, seemed a good one since the two Birkin bags she bought were really rare.

“We could get those from the Hermes store (in Greenbelt) but the waiting time is about two years,” the elder sister said.

The complainant said when she told the reseller that the bags were fake, the reseller referred her to a “Birkin expert.” The reseller “told us she would return my money if that person would say the bags were fake. But when he did say they were not authentic, she still refused to give me a refund,” the woman said.

The expert told her to go the Hermes store in Greenbelt to have the bags checked. “We were told by the store manager that the official authentication from France would come in after about three months since we would have to send the bags there. But the manager said that based on just the paper bags, the boxes and the feel of the leather, the bags were fake,” the complainant said.

Source: The Philippine Star
Author: Reinir Padua
Date: February 12, 2013

Thursday, January 24, 2013

InterAksyon: Jessica Zafra, Analyzing Anne Hathaway, dissecting Ricky Lo

Image courtesy of www.interaksyon.com

Why are we frothing over Ricky Lo's interview with Anne Hathaway? When I watched the video my first reaction was embarrassment. But who exactly was I embarrassed for: Lo, Hathaway, or myself?

As celebrity interviews go, this is not the most dumbass we've ever seen. On the scale of inanity, it's average. Granted, we are connoisseurs at the cringe-making interview. (We remember the one where a local TV host talks to a Brazilian model and discovers that she is of German descent. "Heil Hitler!" he exclaims. And he does the Nazi salute. On television. I’m not sure, but there may have been a laugh track to go with it. Note: Never do that in Germany.)

What went wrong with the Hathaway interview? It doesn't sound that different from the veteran entertainment editor's other interviews, and they did not elicit this level of Internet execration. There was the one where he was talking to a British musician who was a former soldier and his question was: "You're a licensed pilot. Have you ever flown a plane?" That incident flew - haha - under the radar; the musician is not as popular as Anne Hathaway and Les Miserables. (Of course Pinoys love Les Miserables, it’s got singing and crying.)

Lo's first question to Hathaway is a doozy - if it makes it onto a T-shirt, I'm buying one. Recite it with me: "You lost 25 pounds for the role of Fantine. How did you do it and how did you gain it back?" I'm sure Lo meant the question to be an expression of his admiration.

Weight is always a highly charged issue in show business: actors are slammed mercilessly when they put it on, and suspected of anorexia when they lose it. Movie stars win Oscars by gaining/losing a lot of it (Charlize Theron in Monster, Christian Bale in The Fighter. Fine, they were brilliant, but the weight got them noticed). At this point Hathaway is a lock for the Best Supporting Actress Oscar, and her weight has something to do with it.

Unfortunately when Lo poses the question to Hathaway, cultural differences come into play and it sounds like he's calling her fat. That's not going to put her in the mood. Bad enough that she probably had to do 50 of those interviews in a row. (It's like the "Horse and Hound" scene from Notting Hill.) Not being Pinoy, Hathaway is not used to strangers greeting her with, "Uy, ang taba mo ngayon, ah!" (Hey, you're fat now!)

Then they discuss how she prepared for her role, and she mentions researching the "emotional toll…of being a sex slave." He does not inquire if she has ever been a sex slave. However, later on he asks how someone like her who is perceived as privileged could identify with her character (i.e. wretched and oppressed). "Have you ever experienced to be hungry? To be poor, and you know, just like the character?"

In the Philippines this is an acceptable question to ask an actress. Entertainers are expected to divulge their deepest, darkest secrets. We’re an inquisitive people. Ask for directions on the road, and you will be asked why you’re going there, who you’re meeting, and whether you’re married.

In places where acting is regarded as a serious profession, it can get you slugged. Actors are a very sensitive lot; it comes with the territory. You do not need to be attacked by acid-spewing monsters on a spaceship to play Ripley in Alien (although Method actors would find some equivalent). It would seem that Lo is challenging Hathaway's credibility at playing a miserable waif who is dying of consumption.

"That's a very personal question," Hathaway replies rather testily. Lo laughs, probably from embarrassment. I’m only watching a computer screen, but I want to run away and hide behind the sofa.

Then he mentions his "friend from the Philippines", Lea Salonga, who has played Fantine onstage to great acclaim. This is very Pinoy, name-dropping the famous, although we can't claim it only happens here. In the presence of foreigners we’re eager to mention internationally recognized Filipinos, American reality show contestants of Filipino descent, anyone we can claim as our own. This is a potentially embarrassing situation: if they don’t know who we're talking about, it may feel like our entire nation has been snubbed. I suspect we do this because we get very little attention in the global media, although that seems to be changing.

At least Lo didn't show Hathaway his photos with Lea and other celebrities or make her promise to accept his friend request on Facebook. He does show her a message from Lea on his phone. Hathaway is profuse in her praise of Salonga, and basically says she can’t compare with the Filipino singer. She is self-deprecating: "If you think of me as an actor who sings, rather than a singer, I would probably be more impressive." Well played. They talk about Hathaway's mother, who had also played Fantine onstage, favorite scenes in the movie, Oscar chances, etc. (Anne Hathaway definitely deserves that Oscar for The Dark Knight Rises, where she was the only one who seemed to be having fun.) Give Lo some credit for not asking her to sing a line or two from "I Dreamed A Dream".

But as the four-minute interview draws to a close, Lo brings up Lea Salonga again. "Would you like to say any message for Lea, who's looking forward to watching the movie and meeting you in person?" Perhaps he has run out of things to ask Hathaway. Perhaps he thinks that she has been answering the same questions all day, and talking about Lea is the only thing that differentiates him from the other reporters.

"Well, we've already talked about Lea," is Hathaway's reply, and I scurry under the sofa and cover my eyes. At which point Lo says, "What about inviting fans from the Philippines to watch the movie, showing January?"

You have to understand that this is how every celebrity interview on Philippine television ends. The host asks the celebrity to issue a personal invitation to the viewers to watch her movie or buy her album or watch her concert. (Pinoys like the personal approach, we have to feel that we have been acknowledged. Consider how listeners call radio stations to ask the DJs to greet them on-air.) And then the host gives the celebrity a big can of Birch Tree powdered milk and a pack of YC Bikini Briefs (For the man who packs a wallop. Kuya Germs interviewing Hugh Jackman: I'd pay to see that).

"Why don't you invite them?" Hathaway says. "I think they'd much rather hear it from you." Aray. Fortunately the video ends before I have dug a hole in the floor to vanish into.

In sum, the Lo-Hathaway interview is littered with cultural landmines, all of which Lo stepped on. If it were a Filipino interviewing another Filipino, we would not be foaming at the mouth. But he's talking to a foreigner, a world-famous actress whom we admire. And every time a Filipino speaks to a foreigner in an international setting, he automatically becomes the representative of the Filipino nation (He makes us look inarticulate and inane!). We think the whole world is looking on and judging us. That's why we're embarrassed.

Why do we get so worked up over stuff like this? That's another column.

philSTAR.com: Anne of a Thousand Hits


Before the whole brouhaha escalates into the Third World War, I deem it wise to put things in the proper perspective.

At the outset, I want to apologize to the Honorable Senators for unwittingly stealing (part of the) thunder from them…sorry POE!

And, most importantly, I want to make it clear that I hold no grudge against or any resentment toward Anne Hathaway. I still love her dearly, even if she made me cry (no, not during the Les Miserables junket in Tokyo first week of December last year but) over her heart-wrenching I Dreamed a Dream scene in the movie for which, as the whole world knows, she lost 25 pounds. She plays Fantine with her body and soul, giving her all to the role once played by her mom, Kate Mc-Cauley Hathaway, during the musical’s national tour, doesn’t she?

Our Les Miz encounter was the second. The first was in 2004 in L.A. during the junket for Princess Diaries where the great Julie Andrews played Anne’s grandmother. At that time, Anne was not yet the big star that she is now, made even bigger by her recent Golden Globe Best Supporting award (yes, for Les Miz). She was as sweet and as adorable as the Princess of Genovia that she played in Diaries, although not as regal as Miss Julie who, I noticed, was just as queenly off camera, addressing by their first names the media guys during the round-table interview with a friendly smile (she politely requested everybody to introduce themselves before the interview) and taking her cup of tea with the daintiness of a lady to the manner born.

The Anne Hathaway Les Miz TV interview (as differentiated from the print interview) came out edited in Startalk two Saturdays ago, together with those of her Les Miz co-stars Amanda Seyfried (as the adult Cosette) and Hugh Jackman (as Jean Valjean), three weeks after the airing of my TV interviews (also edited) with Les Miz co-producer Cameron Mackintosh and director Tom Hooper. Nice guys, those two, very engaging and very accommodating, answering the questions with unbridled enthusiasm.

When the unedited Anne interview came out on philstar.com last week, I never imagined that it would generate that kind of reaction from netizens around the world, in the process polarizing them into pros and cons, with each side trying to drive home its point with unfathomable passion. We reviewed the tape before uploading it and, honestly, we didn’t find anything wrong with it. In fact, being used to interviewing Hollywood stars for more than two decades now, I found it more amusing than anything.
Entertainment ( Article MRec ), pagematch: 1, sectionmatch: 1

As soon as Anne and I sat down for the TV interview at a suite of the posh Ritz Carlton in Roponggi Hills, we swapped “Hi’s!” I gave her a copy of The STAR which carried my 2004 Princess Diaries with her. Anne took a quick look at it and said, “Oh, memories, memories!” and put the paper aside. I was overwhelmed by her big, beautiful eyes that highlighted her face framed by a very becoming cropped hairdo. Yes, aside from losing weight, she also lost some of her hair for Fantine (the same role played by Lea Salonga in the musical’s stage version, only a few years after she had played Eponine [played by Samantha Barks in Les Miz the movie], the only actress I know who has played both roles).
My two Conversations with Anne, first in 2004 for Princess Diaries where she played the Princess of Genoa and in 2012 for Les Miserables where she plays the prostitute Fantine

Oh yes, without her being physically present, Lea became a part of my interview with Anne even if she was in the States. You see, before flying to Tokyo, I texted Lea if she wanted me to convey any message to Anne who was quoted in a December 2012 issue of Vogue magazine as saying, “First of all, it could never have compared with Patti LuPone or Lea Salonga, or even my mom, really: powerful singers with big, beautiful voices, I knew I could never offer that, but I also knew it wouldn’t be appropriate. If I went for sounding beautiful while looking like this tragic wreck, it would be ridiculous. And I saw an opportunity, because of the nature of film, to just go for it and let it be alive and present and raw.” (Like the rest of the actors in the movie, Anne sang live during the shoot, with the musical background put it later.)

Lea texted this message, “Just say thank you to Anne for me for that Vogue shoutout. Show her this text and maybe she’ll give you a hug, hehehehe!” Well, I didn’t get “a hug” from Anne, not that I was hoping for it.

During the TV interview (limited to no more than five minutes), I usually ask the star interviewees standard questions with expectedly not too long answers, such as, 1). How did you prepare for the role, 2). How are you similar to or different from your role? and 3). Could you invite your fans (in the Philippines) to watch the movie? (After all, the junket is meant to promote the movie, isn’t it?). I reserve the rest of my questions for the round-table print interview.

I asked Amanda and Hugh the same questions and, in fairness to them, they didn’t find them “personal” and they proceeded to answer them during the free-flowing conversation, agreeing to invite their Filipino fans to watch Les Miz. I was surprised why Anne found “too personal” the questions about how she regained the 25 pounds that she had lost and how, for somebody perceived to lead a life of comfort and luxury, she was able to identify with Fantine who, in the Victor Hugo novel on which the musical was based, was driven by poverty to prostitution.

She perked up when I showed her Lea’s text message and launched into “praises to high heavens” for Lea. When she gave me back my cellphone, I accidentally dropped it, prompting Anne to exclaim, “Be careful!”

I felt that she wasn’t in the mood during the interview. I learned later that the other Asian journalists (from Singapore, Taiwan, Hong Kong, Tokyo, etc.) felt the same way, recalling their own separate encounters with Anne. “She seemed not to be in a good mood,” said one. “She was a bit rude, wasn’t she?” said another. “I used to love her, but not anymore,” said still another journalist. To appease everybody, I said, “I think she’s suffering from jetlag because she flew in from the States!” (During the print interview, asked if she was jetlagged, Anne said with a wide smile, “No. Jetlag is only a state of mind.”)

What happened during the print interview a few hours later was another story that doesn’t need to be told.

Anyway, being a computer-semi-illiterate (even if I have a mini iPad and I am typing this story on my office computer…that’s the only thing I know about the computer…typing my story!), I haven’t been aware of the heated exchange on The Net; I learn about it only from friends who continue to text me. I heard that the website has been getting thousands of hits, so thank you POE! Commented Tempo’s Ronald Constantino, “Much ado about nothing!”

So, how do I feel about Anne Hathaway’s attitude during the TV interview? Was I offended? No, I wasn’t. Was I “intrusive”? I don’t think so. Did I find her “rude”? Hmmmm, only a bit, although I must say that (ehem!) the more than 200 other Hollywood stars I have interviewed were absolutely more delightful, far nicer and totally engaging. I remember what Harrison Ford said when Kris Aquino and I interviewed him in 1997 in Hawaii for Six Days, Seven Nights (with Anne Heche as his leading lady), after I mentioned that he was reported to be media-shy, “I flew all the way from the US Mainland for this junket so I have to be nice to (the media) because you are the stars’ conduit to the public.”

Believe me, I repeat, I found the whole Anne Hathaway experience simply amusing. No kidding!

Now, given a chance, would I ever interview Anne Hathaway again? By all means, yes!

But next time, I would remember to ask her only “not personal” questions such as, 1). What’s your favorite color?, 2). What’s your favorite song, and 3). What’s your favorite pet?, but never, never, a question like “What did you have for breakfast today?” because she might find it “too personal.”

Meanwhile, excuse me while I rush to a theater nearby to watch Les Miz again, and cry some more over Anne’s I Dreamed a Dream scene.

(Note: The title of today’s piece was inspired by the Genevieve Bujold starrer Anne of a Thousand Days in which she played Anne Boleyn who was ordered beheaded by King Henry VIII.)

(E-mail reactions at entphilstar@yahoo.com. You may also send your questions to askrickylo@gmail.com. For more updates, photos and videos visit www.philstar.com/funfare or follow me on www.twitter/therealrickylo.)

Source: philSTAR.com

Monday, December 10, 2012

Fate or faith - what brought about Manny Pacquiao's loss?

Image courtesy of www.sports.inquirer.net

Did Manny Pacquiao's devastating loss to Mexico's Juan Manuel Marquez send a strong message to the erstwhile pound-for-pound king?

Amidst the busy-ness of Christmas holidays, Manny has once again demostrated his magic to unite the nation to be witness to his greatness in the boxing ring. But sadly, the euphoria and the excitement died so fast towards the first half of Pacman's 4th fight with the Mexican. The manner of his loss was a very big upset, was totally unexpected, totally un-Pacquiao, having been knocked out cold and motionless in round 6.

The cameras caught the very tearful and hysterical Jinkee seeing her husband knocked out lying on the canvass. But more than that, was what the world witnessed -- the sight of the very powerful Pacquiao splattered face flat on the floor ... weak and defenseless.

People and observers who have suddenly turned boxing experts and life gurus were quick to give unsolicited analysis. What caused him to lose that fight?

- short preparation
- carelessness and too much confidence
- lack of focus
- fate
- all of the above

Among others, it was his faith, his allegedly leaving his Catholic religion that was the most controversial. It sent Mommy Dionisia going ballistic and blaming the born again Pastors for her son's misfortune. In the above situations, it is only Manny who has the final say what had gone right and wrong.

On the other hand, people will always have a say, to blame Pacman or to love and be proud of him inspite of. Whether he fights again or retire is his own business. But one thing is certain -- Manny Pacquiao is the only and the greatest Filipino boxer ever who gave us immeasurable pride as Filipinos!

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